http://duerotur.blogspot.com/
49 habitantes, 49 expertos en Windows 7. Así es Sietes, ¡Visítalo!
lunes, 14 de diciembre de 2009
martes, 8 de diciembre de 2009
TUMUSEO.COM
http://www.tumuseo.com/index.asp?ID=419&IDF=9723
49 habitantes, 49 expertos en Windows 7. Así es Sietes, ¡Visítalo!
49 habitantes, 49 expertos en Windows 7. Así es Sietes, ¡Visítalo!
martes, 24 de noviembre de 2009
miércoles, 18 de noviembre de 2009
EXPOSICION EN EL MUSEO PROVINCIAL DEL VINO DE VALLADOLID-Castillo de Peñafiel - Valladolid ( Spain) "HONRANDO A BACO..."
MUSEO PROVINCIAL DEL VINO
Castillo de Peñafiel-Valladolid-Spain
A partir del 17 DE Noviembre 2009
EXPOSICION
HONRANDO A BACO...
LOS OLORES DE MI VIDA
EN MOMENTOS COMO ESTE,EN EL QUE LA VIDA TE HACE PARAR Y EMPUJAR CON TODAS TUS FUERZAS,DESDE LO MAS PROFUNDO DE SUS ENTRAÑAS. EN ESTE MOMENTO MIRO DENTRO DE MI Y PIENSO EN LOS OLORES QUE ME HAN ACOMPAÑADO A LO LARGO DE MI VIDA. EL OLOR A PAN RECIEN COCIDO,EL DEL TABACO QUE FUMABA MI PADRE,EL OLOR DE CAFE RECIEN HECHO EN LA CASA DE MIS ABUELOS,AL DE EL JABON CASERO CON EL QUE LAVABA MI ABUELA Y QUE AHORA ES MI GRAN ALIADO PARA LIMPIAR MIS PINCELES. PERO SI HAY UN OLOR QUE SIEMPRE ME ACOMPAÑA, ESE ES EL OLOR DEL VINO Y DEL BARRO HUMEDO DE ESA BODEGA ESCAVADA A GOLPE DE PICO Y PALA POR LAS MANOS SACRIFICADAS DE UN HOMBRE, MI ABUELO. ESE OLOR ESTA SIEMPRE CONMIGO .NO IMPORTA QUE ESTE COMIENDO EN BROOKLYN,CENANDO EN MANHATTAN O EN MOMBUEY,EN CASA.SOLO TENGO QUE PONER FRENTE A MI UNA COPA DE VINO,NO IMPORTA SI ES CHIANTI,MERLOT O SI SALIO DE UNA CEPA DE SEGOVIA O ZAMORA. ASPIRAR ESE OLOR ME TRANSFORMA EN ESA TIMIDA NIÑA QUE SOÑABA CON LLEGAR LEJOS Y QUE AHORA DESDE AQUI ,DESDE SUS RAICES, INTENTA CON TODAS SUS FUERZAS APRENDER LAS LECCIONES QUE LA VIDA LE DIO, PARA SEGUIR AVANZANDO HACIA SUS SUEÑOS.
Nuria Rabanillo-de la Fuente
¡Windows Phone ya está aquí! Mucho más que un teléfono. ¡Hazte con uno!
lunes, 2 de noviembre de 2009
FOTOS EXPOSICION CAJA ESPAÑA BENAVENTE (ZAMORA) SPAIN 2009
PROXIMAMENTE:
A PARTIR DEL DIA 16 DE NOVIEMBRE EXPOSICION EN EL
MUSEO PROVINCIAL DEL VINO DE VALLADOLID
CASTILLO DE PEÑAFIEL
www.museodelvinodevalladolid.com
En tu material escolar no puede faltar el nuevo Pack de Emoticonos Vuelta al Cole ¡Descárgatelo gratis! Es muy divertido
Entra al Nuevo Canal Motor y descubre por qué los coches más rápidos sólo aparcan en MSN. Nuevo diseño, más completo y abierto a tu opinión. ¡Nuevo Canal Motor!
viernes, 25 de septiembre de 2009
martes, 4 de agosto de 2009
TALLER PATTERN RECOGNITION DE ITZIAR OKARIZ - MUSAC (LEON .SPAIN).July 2009
¡Que no te pillen atascos ni radares! En MSN te damos toda la información sobre el estado de las carretas y te mostramos dónde se encuentran los radares de tráfico.
sábado, 27 de junio de 2009
Nuria Rabanillo Paints "Everyperson" in the Abstract
Not too long ago figurative and abstract art were at opposite ends of the aesthetic spectrum.The dawning of the postmodern era,however,created a détende between contending tendecies and opened up a whole new range of visual possibilities for artists who wished to express facets of our increasingly complex and fragmented reality while creatng work thas wast was also innovative.
One artist who has evolved a synthesis that succeeds splendidly in both regars is the Spanish painter Nuria Rabanillo,whose solo show was seen recently art Montserrat Conteporary Art,547 West 27 th Street,in Chelsea,and whose work is included in the gallery´s year-round salon exhibition.
The first thing that struck one upon entering the gallery during Rabanillo's exibition was the sheer abstract impact of her mostly large acrilyc painting on canvas and smaller work in the same medium on linen or paper.
Overall,the colors in Rabanillo's compositions are relatively subdued,often with large areas of black and/or brown defining the dominant forms;yet they are highlighted here and there with piquant bursts of brighter red,orange,green,violet,or blue hues-usually contained within specific areas.However,it is the stark tonal contrats thas lends her work its formidable presence,with fragmented figurative elements,specifically heads,set against geometric areas of hard-eged color.
These heards are surrounded by thick white lines that could either suggest spiritual auras or the black areas for cutting around paper dolls.(Such ambiguousness is one of the things that makes Rabanillo's painting so intringly enigmatic.)But however the individual viewer cares to interpret them,one thing is inescapable:they seem to speak volumes about the sense of isolaton ,disconnection,and alienation that many people feel in the modern world.
Thus.like the depersonalized figures of the American sculptor Ernest Trova or the emaciated subjects of the Swiss sculptor and painter Alberto Giacometti,they have a universal resonance that is made all the more dramatic by the emblematic abstract forms in Rabanillo's paintings.Andvfor all their cookie-cutter sameness,their features are subtly expressive,perhaps a bit melancholy,as if to suggst the repressed emotions beneath the impassive masks that most of us must wear as we go about our daily business in a global context which has already surpassd the wildest imaginings of science fiction writers.
Indeed, Rabanillo's faces seem to stand for the existential plight of "Everyperson,"lending a hint of ivory to a title such as "Silencios" ford a large painting of overlapping faces floating unmoored against a color field divided into black and brown rectangles.And in an even larger canvas called"Serenidad,"a long row of faces enlivered like a color chart by a spectrum of vibrant hues,suggest targets in shooting gallery.
Also including smaller works(ominously reminiscent of 9/11 from a New Yorker's point of view)in which tall buildings awash in acidic hues loom against skies where airplanes and helicopters swarm like tiny insects,this exibition revealed Nuria Rabanillo to be an artist who combines formidable formal staments with a singularly fascinating, if slightly eerie,slant on moderm life.
Maurice Taplinger
GALLERY&STUDIO MAGAZINE
June 2009 New York
One artist who has evolved a synthesis that succeeds splendidly in both regars is the Spanish painter Nuria Rabanillo,whose solo show was seen recently art Montserrat Conteporary Art,547 West 27 th Street,in Chelsea,and whose work is included in the gallery´s year-round salon exhibition.
The first thing that struck one upon entering the gallery during Rabanillo's exibition was the sheer abstract impact of her mostly large acrilyc painting on canvas and smaller work in the same medium on linen or paper.
Overall,the colors in Rabanillo's compositions are relatively subdued,often with large areas of black and/or brown defining the dominant forms;yet they are highlighted here and there with piquant bursts of brighter red,orange,green,violet,or blue hues-usually contained within specific areas.However,it is the stark tonal contrats thas lends her work its formidable presence,with fragmented figurative elements,specifically heads,set against geometric areas of hard-eged color.
These heards are surrounded by thick white lines that could either suggest spiritual auras or the black areas for cutting around paper dolls.(Such ambiguousness is one of the things that makes Rabanillo's painting so intringly enigmatic.)But however the individual viewer cares to interpret them,one thing is inescapable:they seem to speak volumes about the sense of isolaton ,disconnection,and alienation that many people feel in the modern world.
Thus.like the depersonalized figures of the American sculptor Ernest Trova or the emaciated subjects of the Swiss sculptor and painter Alberto Giacometti,they have a universal resonance that is made all the more dramatic by the emblematic abstract forms in Rabanillo's paintings.Andvfor all their cookie-cutter sameness,their features are subtly expressive,perhaps a bit melancholy,as if to suggst the repressed emotions beneath the impassive masks that most of us must wear as we go about our daily business in a global context which has already surpassd the wildest imaginings of science fiction writers.
Indeed, Rabanillo's faces seem to stand for the existential plight of "Everyperson,"lending a hint of ivory to a title such as "Silencios" ford a large painting of overlapping faces floating unmoored against a color field divided into black and brown rectangles.And in an even larger canvas called"Serenidad,"a long row of faces enlivered like a color chart by a spectrum of vibrant hues,suggest targets in shooting gallery.
Also including smaller works(ominously reminiscent of 9/11 from a New Yorker's point of view)in which tall buildings awash in acidic hues loom against skies where airplanes and helicopters swarm like tiny insects,this exibition revealed Nuria Rabanillo to be an artist who combines formidable formal staments with a singularly fascinating, if slightly eerie,slant on moderm life.
Maurice Taplinger
GALLERY&STUDIO MAGAZINE
June 2009 New York
sábado, 11 de abril de 2009
miércoles, 8 de abril de 2009
viernes, 27 de marzo de 2009
N.R.DE LA FUENTE (NURIA RABANILLO -DE LA FUENTE) April 11th-May 9th
tra gallery
The Rising Arts Gallery35 Claver Place-Loft #1
Brooklyn.NY11238
2nd annual
REPRESENT
BROOKLYN
Painting, Photography & Sculpture
by
Artists from Brooklyn whose artwork is inspired by Brooklyn .
April 11th – May 9th
| Adam Taye Angela Earley Annette E. Brown Ashley Scribner Beryl Brenner Bill Storoniak Daniel Genova Deirdra Hazeley Wynne Noble Elinore Schnurr Ellie Balk Emily Harris Ilia Pasymansky Ira Kaufman Iram Yeates Jake Messing Joachim Marx June Gaddy Katherine Gressel Kerri Ferrar | Lindsay Blatt Marina Zamalin Michaelle Chapoteau Mikhail Gubin Natasha Harsh Nicole Covino N.R.De La Fuente Otto Medvetsky Patricia Brintle Patricia Jacobs Rachel Burgess Ramona Candy Robert Reid Ronald Peters Sandy Alpert Stephen M Winiecki Todd Matarazzo Trevor Brown Valerie Turer Victoria Rich |
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jueves, 26 de marzo de 2009
EXPOSICION 10 MARZO-10 MAYO
Manhattan /Chelsea
244 West 23 St
New York
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